On the road with Jack Kerouac

As a 36 year old, I finally understand why my younger self gravitated towards this sentence. Which is why I finally visualised it.

I was so rattled, entranced and inspired by this one line when I first read it, I may have completely forgotten to read the rest of the book. (#adhdproblems)

Then again, it has been with me now for over 20 years, wandering in and out of my consciousness. It acquired new meanings along the way but was always a beacon of recognition.

Anyway. Understanding yourself and your place in the world is so important. Just paying it forward. To whom it may inspire โค๏ธ

I used Canva and Snapseed, but don’t ask me to repeat this proces.

Circle in a Square Puzzle

Living with Neurodivergence

I am a person. But not like the others. I don’t fit the mold. I’m a circle in a square puzzle.

Yes this sounds dramatic. I’m too old to care. It feels like I am not the same shape as other people. I myself am coming to terms with that. A part of me LOVES being neurodivergent. I see SO much so many other people can’t see. But I also FEEL so much other people don’t feel as deeply. Which can be both amazing and awful, even at the same time.

Because everything is too much all at once and the world doesn’t fit my circular mold. I have to mold myself into a square to fit. And I cannot. I can tell the odd fib, though I’m admittedly bad at it.

But it is impossible for me to hide my true self, however much I may want to be the mysterious person at the back people are intrigued about. I just leak out. As soon as I feel I find my people, I stop putting on that mask.

And sometimes it is okay and I find understanding and it’s like magic. Other times, it places me so much outside of things, I forget where I’m supposed to be. And it takes me a while to notice that ‘my people’ are just ‘tolerating my presence’, not so much as actually accepting me. And when my brain does finally come to that realisation, it fucking hurts. Physically as well as mentally.

People see neurodivergents mostly as ‘unfeeling’. Autistic people don’t have emotion or empathy. They’re an AI like ChatGPT that just reasearches and mimics human behaviour. Fuck ALL of that. All the ASD people I have encountered, interacted with and read about were the exact opposite. They FEEL SO MUCH they don’t have the words to articulate just how much goes on inside.

Not necessarily because autistic people are inherently stupid as is often a stereotype. Far from it, more like. We see and feel the world differently. It is why ASD is often misdiagnosed as hypersensitivity. (Hello, my name is Julie and I am one of those misdiagnoses.) Yes, we are hypersensitive to our surroundings (Combine that with ADHD and you might just feel like you just dropped acid and the world is all COLOURS and DISTRACTIONS, but anyway.) which means our brains take a LOT of time and effort to take in a random sequence of events.

A neurotypical brain will ignore all the bits are usually deemed unnecessary/not relevant. An ASD/ADHD brain (Talking from experience, possibly other types of neurodivergence et al as well.) processes everything all at once. It is LOUD. It is messy. It is confusing. We get scared and overwhelmed.

Temple Grandin referred to it best in ‘Animals in Translation: The Woman Who Thinks Like a Cow.’ She states that she feels people with autism (or maybe even neurodiversity in general), in her experience, seem to relate well to animals. In the sense that they both get overstimulated by a world that feels unfamiliar and in response react erratically to it, when seen from the vantage point of the people whose world they ‘inhabit’. I understand the woman who thinks like a cow and both adores and understands cows. (See: my Google Photos archives for reference. So. Many. Cows. And you don’t even know how many cow accounts I follow on all the socials. Cows are THE SHIT. They deserve their own post. Anyway.)

So, I feel that I am cattle. Not in the conspiracy theorist ‘You’re all sheep man!’, but in the sense that I am in a world that isn’t familiar to me. And that it doesn’t react the way I anticipate it to react (to me). I sometimes feel like a scared cow, driven from (what I at least assume was) my herd, anxious because someone also left a glaring yellow glove on the fence and I don’t recognise it. You’d have to really read the book to get the full comparison.

In short, cows in one of her facilities reacted frenziedly to some stimulus that in the end turned out to be a yellow glove on a fence, because the yellow makes it look different and scary to their dichromatic eyes. Another story was about the contrast between the bright sunlight versus the perceived darkness in an entryway when trying to get them in for shots for instance. Combined with her recommendation for people with autism (I believe it was in ‘Thinking in Pictures: my life with autism) to try rose tinted glasses for better reading/viewing, it made me draw the comparison. (By the way, I also now wear rose tinted sunglasses and it has seriously been a gamechanger. I kept having the issue that my sunglasses were too dark to see properly in most cases, but if I didn’t wear them I would be blinded, even by limited sunlight. Now I can wear them all the time without being visually impeded. I also no longer have any issue going from the sunny garden into the darker house, huzzah!)

To any other person, it is a stupid yellow glove they ignore because it is not important in the grand scheme of things. But to me it is an eyesore that starts infiltrating my every being. It is out of place, it is wrong. MOO MOO! And the herd manager, or whoever is in charge of the cows, will say, ‘oh that cow is unruly, don’t mind her, she’s the worst of the herd’. Whereas the poor creature is just scared of the unknown. The glove. That bright yellow thing on the fence is moving in the wind and taunting her.

I’ve learned a lot about myself in the last year since my ‘half’diagnosis. For fucks sake, I read a book by Peter Vermeulen on autism that felt like my own instruction manual I had somehow always lost. How are you, with you dumb ASD test still designed for (probably cis, white male) kids, going to tell me that I am not on the fucking spectrum. Mostly because I mask so well my own partner saw me as a different person I truly was inside because I didn’t know just HOW much I was masking. I thought I took it all the way off for the people I felt safe with. Apparently I could not even manage that.

What I learned most is that I can THRIVE. If allowed. If encouraged. If understood. I had a few mentors that subconsciously tapped into that. I could be the best person, employee, friend, whateverthefuck, if they just understood. Or not necessarily understood, but at least understood that that force inside is so great, it only needs nurturing and safety.

I leave you with a quote from Peter Vermeulen. ‘You are not difficult. You are just having a difficult time.’

Small note concerning the image. That line popped into my head while working on my series ‘Rounding off the Edges”. This series and at least on of its subseries will be highlighted on here soon. You can find bits and pieces of it on the clumsy crane studio Instagram account if you’re curious.

Live! Rosanne Cash en John Leventahl

Enkele gitaren, een piano en de pure stem van Rosanne Cash, meer was er niet nodig om de AB voor รฉรฉn avond onder te dompelen in authentieke Americana. Cash bracht samen met haar man John Leventhal een intiem en ingetogen optreden dat bleef nazinderen.

Rosanne Cash is de oudste dochter van legende Johnny Cash. Net zoals haar vader is ze een verhalenverteller met een bijzondere stem. Haar laatste plaat heet โ€œShe remembers everythingโ€ en dat gevoel draagt ze uit in haar nummers en hoe ze die aan elkaar praat. Met een nuchtere zachtheid vertelt ze over haar leven, op de tonen van de muziek en ernaast. Aangrijpend en herkenbaar is het moment waar Cash beschrijft hoe ze opgroeide middenin de vrouwen- en burgerrechtenbeweging in de jaren 60 en 70 en met zoveel hoop naar de toekomst keek. Hoe ze dacht dat vooruitgang maar in รฉรฉn richting kon evolueren en hoe het nu zo anders blijkt te lopen.

De avond kent heel wat hoogtepunten. Van het aangrijpende โ€œBlue Moon With Heartacheโ€ (What would I give to be a diamond in your eyes again, What would I give to bring back those old times, What did I say to make your cold heart bleed this way, Maybe I’ll just go away today) over het krachtig en fragiele โ€œShe remembers everythingโ€ (I didn’t know her then, My enemy, my treasured friend, Outside this waking dream, She remembers everything, I don’t know her now, My bitter pill, my broken vow, This girl, this bird who sings, She remembers everything) naar het melancholische en strijdvaardige โ€œThe Undiscovered Countryโ€ waar ze uithaalt naar het huidige politieke klimaat en de #metoo beweging (The old men never helped us, They took our every vow, Turned them into money, And look where we are now. Waiting for a savior, But she walks alone to sea, And someone’s going down, She went down for me).

Als bisnummer trakteert ze op Tennessee Flat Top Box, een nummer van Cash Sr. dat ze zich helemaal eigen maakt. Haar stem leent er zich perfect toe en het gitaargeluid van Leventhal knipoogt naar de unieke sound van de gitaar van haar vader.

Noot voor noot en woord voor woord sleept ze het publiek mee. Cashโ€™s hele set ademt haar verhaal. Hoe ze haar stem vond en hoe ze die ook durft gebruiken nu ze ouder is. In haar woorden: โ€œWomen my age still have a lot to say. And that urgency and longing and righteous indignation and passion donโ€™t go away. They donโ€™t fade with time unless you let them.โ€(Billboard) En wees maar zeker: she wonโ€™t let them.

John Leventhal balanceert zijn gitaren en de snuifjes piano handig op de achtergrond en laat โ€œzijnโ€ ster schitteren. De liefde schijnt door in hun muziek en de onderlinge conversaties tussen de nummers. Na 24 jaar zijn ze een goed geolied team dat perfect op elkaar inspeelt. Wanneer Cash en Leventhal samen gitaar spelen, lijkt het wel alsof hun instrumenten converseren. Als Rosanne voor enkele nummers haar gitaar neerlegt gebeurt er iets extra bijzonder. Haar stem krijgt nog meer kracht en ze gooit zich nog zoveel harder in de tekst en gaat dieper in haar uithalen. Een overtreffende trap van een stem die sowieso al imponeert.

Cash hypnotiseert met haar stem, tegelijk krachtig en breekbaar. Haarzuiver gaat ze van hoge passages over naar de lagere stukken waar haar stem een extra warme ondertoon krijgt. De bijna eerbiedige stilte van het publiek tijdens de nummers spreekt evenveel boekdelen als de twee staande ovaties die ze na haar optreden krijgt. Een madam met een sound die er staat, de verrassende mix van country, blues, folk en popmuziek die ze samensmelt tot haar hoogsteigen bijzondere klankkarakter dat naar meer smaakt.

Setlist

Modern Blue The Sunken Lands
The Undiscovered Country
The Only Thing Worth Fighting For
Crossing to Jerusalem
A Feather’s Not a Bird
Long Black Veil (Lefty Frizzell cover)
Blue Moon With Heartache
Ode to Billie Joe (Bobbie Gentry cover)
I’m Movin’ On (Hank Snow cover)
Western Wall
She Remembers Everything
When the Master Calls the Roll
Motherless Children
Runaway Train (John Stewart cover)
Seven Year Ache

Encore:
Tennessee Flat Top Box (Johnny Cash cover)
500 Miles(Hedy West cover)

Rosanne Cash & John Leventahl – Zaterdag 14 september 2019 Ancienne Belgique, Brussel

Volg Rosanne Cash

Ook verschenen op Brothers in Raw

Why women arenโ€™t funny (And 10 reasons why that statement is simply untrue)

I just recently saw the 2014 documentary Women arenโ€™t funny by Bonnie McFarlane and Iโ€™m afraid I have to apologise. I, along with the rest of the world, have been guilty of exclaiming: โ€œWomen just arenโ€™t that funnyโ€. It was a long time ago and yet this still shames me.

Women ARE funny. Maybe not all women, much like not all men are cut out to do stand up. The fact is that there are way fewer women in the comedy scene than there are men. And that these small groups in turn get even more marginalised because of their gender. Because who wants to see a female headliner? According to the club owners, no one. McFarlane tackles this injustice in her, as she likes to call it, โ€œcocumentaryโ€. A documentary about comedy, what were you thinking?

We have to do away with horrible generalisations like this. And thatโ€™s why weโ€™ve prepared this list of extremely funny females, for you to enjoy. Grab a blanket, a coffee/tea (whatever your poison) and let these lovely lady voices tickle your funny bone.

1. Tina Fey

Is there anyone in the world who is not in love with Tina Fey? I first got to know her on SNL, where sheโ€™s probably most known for her impeccable Sarah Palin impression. I read Bossy Pants and wanted more, more, MORE. She passed onto her own show, 30 Rock and won me over for life. It is a wacky series about an SNL-type show, that doesnโ€™t take itself too (at all) seriously, full of meta- and showbiz references and the most insane guest stars. I want to go to there!

Annotation anno 2023: I IDENTIFY A LOT WITH LIZ LEMON. More and more every day. I haven seen this series in forever and still quote it daily. I have however already watched it 5 times or something.

2. Amy Poehler

For me, Tina and Amy should be on this list on the same bullet point, but I decided get them each their own. They met way before they played on SNL together, and all the sketches they did together were gold. They were the best Weekend Update-team SNL has ever seen. Together they hosted the Golden Globes twice already. Poehler went on to do Parks & Recreation, a very tongue in cheek political extravaganza. However much you try, you canNOT hate Leslie Knope.

Annotation anno 2023: It cannot come as a shock but I IDENTIFY A LOT WITH LESLIE KNOPE TOO. More and more every day. I haven seen this series in forever and still quote it daily. I have however already watched it 5 times or something. (Yes, exactly like 30 Rock.)

3. Sarah Millican

With her lovely high-pitched voice and adorable accent, Sarah Millican is representing the UK. Voted best newcomer at Edinburgh Fringe Festival in 2008, she went on to be one of the 100 most influential women in the UK in 2014. Last year she was nailed to the cross on Twitter, by people who disapproved of her wardrobe choice for the Baftas. Millican set them straight in an extremely funny, yet eye-opening letter.

4. Caitlin Moran

Luciously locked Caitlin Moran taught me how to be a woman. Or at least, helped me appreciate being a non-typical part of the female race. She writes herself directly into your heart with her witty and off center views on life. She is entirely self-made and became a rock journalist from age 15 onwards. She is the best kind of feminist, the one who realizes we can still have a sense of humor towards being female.

5. All female guest stars on QI

I know this is cheating, but QI is a wonderfully weird quiz show with crazy facts and figures, presented by the ever-so-lovely Stephen Fry. (NO LONGER: editors addition 2023: now it is Sandi FUCKING Toksvig. Who had the nicest and most wonderful lockdown podcast in the world of all podcasts.) It is at times a pretty male dominated show, if it werenโ€™t for all the strong ladies who brought a smile to my face over the years. Jo Brand, Sue Perkins, Sandi Toksvig, Sarah Millican are but of few of the ever-growing list of funny as hell ladies who quiz. I picked Jo brand as the representative of the ladies, because sheโ€™s one of the funniest and most adorable women on tv. Ever.

6. Kirsten Wiig

Kirsten also got her big break on Saturday Night Live. She was always one of my favorite actors on the show and made for some very epically funny Saturday nights. Every time I see her face on TV, be it in a movie or in a recent guest appearance on SNL, I giggle a little. She recently made the extremely dirty and funny Bridesmaids and is on to star in the all female version of Ghostbusters alongside Melissa McCarthy. (Is this the real life? Or is it just fantasy? No! An all female cast for Ghost Busters.)

Editors note 2023: cue all the hate because OH NO WOMEN GOSTBUSTERS, AAAH. But it was a pretty decent film. Not great, but that had nothing to do with the four lovely ladies and more with the actual writing.

8. Kristen Schaal

That voice. That terrific sound she expels from her vocal chords. The inherent crazy in all the characters she plays. You just got to love Kristen. Sheโ€™s perfect as the Senior Womenโ€™s Issues Correspondent on the Daily Show. She plays a weird but loveable 5 year old on Bobs Burgers. Sheโ€™s the kinda too close stalker-fan from Flight of the Conchords. She goes in overdrive as a page on 30 Rock. She is the best guest-star any comedy show could ask for. (Editors note 2023: STILL TRUE! Also, much more than that: check out the AMAZING What we do in the Shadows๐Ÿ™‚

9. Samantha Bee

Bee has been with the Daily Show since 2003 and has made the most cringe-worthy yet epically funny TV Iโ€™ve ever seen. Her face alone is comedy gold; her facial expressions say so much more than any word she utters. I cannot help but smile, every time her face appears on my idiot box.

๐Ÿ˜ข<3

10. All of the women I have forgotten

I had a longer short list for this article than the aforementioned amazing women. So here I give a BIG shout out to Aubrey Plaza, Rashida Jones, Jane Krakowski, Vanessa Bayer, Aidy Bryant, Jessica Williams, Rachel Dratch, Chelsea Handler, Chelsea Peretti, Sarah Silverman, Bonnie McFarlane, Julia Louis-Dreyfuss,โ€ฆ And you can just fill in whomever I have mistakenly forgotten in the comment section! (Editors note: some I might not have forgotten, but not yet discovered. I will update this list as long as I live and breathe.)

Or better yet, post a video of your favourite comedienne online with the hashtag: #womenarefunny

And remember: let me NEVER again hear you say, โ€œWomen arenโ€™t funnyโ€. Because we are. Now go watch that documentary and tweet about it!

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